曼德尔施塔姆是俄国白银时代阿克梅派诗人，生前便被誉为阿克梅派的“第一小提琴手”。曼德尔施塔姆结合诗歌创作而提出的“词与文化”理论观点独具一格，在二十世纪俄国乃至世界文学史上占有重要地位。本书探讨了曼德尔施塔姆诗歌创作观形成的哲学与文学语境，从文学统一观、诗歌用词、文化创新等三个方面，系统阐述了曼德尔施塔姆以“词与文化”为关键词的诗歌创作观之内容，同时以作品分析为基础，提示出曼德尔施塔姆的诗歌在用词、意象以及诗歌结构上的特征。本项研究具有拓荒性质，不仅可以推动国内对曼德尔施塔姆诗学理论的认识和对其诗歌的研究，而且有助于丰富人们对俄国二十世纪文学尤其是白银时代诗歌的认识，同时也可启发并促进中国诗歌的发展与繁荣。

Mandelstam was a Russian Silver Age Akmépai poet and was known as the "first violinist" of the Akmépai during his lifetime. Mandelstam's theoretical view of "words and culture" in combination with poetry is unique and occupies an important place in the history of Russian and even world literature in the twentieth century. This book discusses the philosophical and literary context of the formation of Mandelstam's view of poetry creation, systematically expounds the content of Mandelstam's view of poetry creation with "words and culture" as the keywords, and at the same time suggests the characteristics of Mandelstam's poetry in terms of words, imagery and poetic structure based on the analysis of works. This research is pioneering in nature, which can not only promote the understanding of Mandelstam's poetic theory and the study of his poetry in China, but also help enrich people's understanding of Russian twentieth-century literature, especially Silver Age poetry, and also inspire and promote the development and prosperity of Chinese poetry.（AI翻译）

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