有什么样的思维文化，就必有什么样的美学话语。中国审美文化之所以具有独特的民族性特征，根源亦在中华名族特有的思维文化。本书聚焦于“阴阳两仪”这一中华民族典型的思维文化范式，全面研讨了这一思维范式与中国审美文化之民族性特征形成发展的本源性、义理性、内在性联系，深入解读了这一思维范式对中国传统美学概念、范畴、命题、思想的深刻影响，具体论述了这一思维范式对《周易》、儒家、道家以及诗论、画论、生态、体育等诸多文化形态的潜在塑造，从一个特殊的学术视角对中国审美文化的民族性特征做出了新的探索和阐释。

What kind of thinking culture there is, there must be what kind of aesthetic discourse. The reason why Chinese aesthetic culture has unique national characteristics is also rooted in the unique thinking culture of Chinese famous ethnic groups. This book focuses on the "yin and yang two yi", a typical thinking and cultural paradigm of the Chinese nation, comprehensively discusses the origin, rationality and intrinsic relationship between this thinking paradigm and the national characteristics of Chinese aesthetic culture, deeply interprets the profound impact of this thinking paradigm on traditional Chinese aesthetic concepts, categories, propositions and thoughts, and specifically discusses the potential shaping of this thinking paradigm on Zhou Yi, Confucianism, Taoism, poetry, painting theory, ecology, sports and many other cultural forms. From a special academic perspective, a new exploration and interpretation of the national characteristics of Chinese aesthetic culture has been made.（AI翻译）

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