本书由中国形象的话语生产机制入手，将中国形象置于官方、民间和西方多重话语空间下的权力场域之中，阐述官方纪录片、民间纪录片和域外纪录片所形成的三角关系中的话语构成与权力关系，并探究纪录片与中国形象的话语策略与传播机制问题。从思路上讲，第一，不再单纯地分析、总结中国形象的特征，或者基于某一立场的，对于中国形象误读的批判，而是集中于对中国形象背后权力场域和话语张力进行分析；第二，文本分析与议题分析相结合，除了文本分析，还选择三峡、西藏、域外电影节等具体议题和形象符号进行微观分析，以使中国形象在多重话语空间下的权力关系和意识形态属性能够更加清晰地显现。

Starting from the discourse production mechanism of the Chinese image, this book places the Chinese image in the power field under the multiple discourse spaces of the official, non-governmental and Western discourses, expounds the discourse composition and power relationship in the triangular relationship formed by official documentaries, folk documentaries and extraterritorial documentaries, and explores the discourse strategy and communication mechanism of documentary and Chinese images. In terms of thinking, first, it is no longer simply analyzing and summarizing the characteristics of China's image, or criticizing the misreading of China's image based on a certain position, but focusing on the analysis of the power field and discourse tension behind China's image; Second, text analysis is combined with issue analysis, in addition to text analysis, specific topics and image symbols such as the Three Gorges, Tibet, and foreign film festivals are selected for micro-analysis, so that the power relations and ideological attributes of China's image in multiple discourse spaces can be more clearly displayed.（AI翻译）

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