本书为国家社科基金项目《中西马克思主义文艺理论观念比较研究》的最终成果。该项研究的主要目的是通过对中国和西方马克思主义文艺理论观念进行系统、比较性地分析探讨，进而揭示出中西马克思主义文艺观念各自的主要特点和实质，寻找出在对马克思主义经典文艺理论观念继承发展过程中的不足与谬误，并从中引出应有的经验和教训。此外，该项研究的主要理论价值还在于这种对中西马克思主义文艺理论观念的比较影响的分析，有助于我们在与当代各种文艺思潮的交流和撞击中，全面准确地把握马克思主义文艺理论观念的基本精神，破除对马克思主义文论教条式的理解，以及剔除附加到马克思主义名下的各种错误观点，并结合我国当代社会主义文艺发展的实际，本着比较、超越、创新的精神，构建中国马克思主义文艺理论的当代体系，进而为创建和谐的社会主义文化做出一定的理论贡献。

This book is the final result of the National Social Science Foundation project "A Comparative Study of Chinese and Western Marxist Literary and Art Theoretical Concepts". The main purpose of this research is to systematically and comparatively analyze and discuss the theoretical concepts of Chinese and Western Marxist literature and art, and then reveal the main characteristics and essence of Chinese and Western Marxist concepts of literature and art, find out the deficiencies and fallacies in the process of inheriting and developing the theoretical concepts of Marxist classic literature and art, and draw due experience and lessons from them. In addition, the main theoretical value of this research lies in the analysis of the comparative influence of Chinese and Western Marxist literary and artistic theoretical concepts, which helps us to comprehensively and accurately grasp the basic spirit of Marxist literary and artistic theoretical concepts in the exchange and collision with various contemporary literary and artistic trends, break the dogmatic understanding of Marxist literary theory, and eliminate various erroneous views attached to Marxism, and combine with the reality of the development of contemporary socialist literature and art in China, in the spirit of comparison, transcendence and innovation. Build a contemporary system of Chinese Marxist literary and art theory, and then make certain theoretical contributions to the creation of a harmonious socialist culture.（AI翻译）

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