《笔法与中国文论》以《春秋》笔法与中国文论的关系为论题，从历史发生和逻辑分析相结合的视角，以《春秋》笔法对中国文论的渗透、中国文论对《春秋》笔法的接受为论域，在把握《春秋》笔法思想内涵的基础上，通过对散见于各种文献典籍中相关资料的搜集、整理，寻绎出中国文论中较为确凿的受到《春秋》笔法影响的因素，并进行分析、总结。既着眼于《春秋》笔法的思想内涵，又探析《春秋》笔法与中国文论的会通化成，从文化探源中寻求中国文化与文论所赖以形成、发展的基本规律，并揭示其在现当代文学艺术中的普适性。

Taking the relationship between Spring and Autumn brushwork and Chinese literary theory, from the perspective of combining historical occurrence and logical analysis, "Brushwork and Chinese Literary Theory" takes the penetration of "Spring and Autumn" brushwork into Chinese literary theory and the acceptance of "Spring and Autumn" brushwork by Chinese literary theory as the field of discussion, on the basis of grasping the ideological connotation of "Spring and Autumn" brushwork, through the collection and sorting of relevant materials scattered in various literature and classics, the more conclusive factors affected by the "Spring and Autumn" brushwork in Chinese literary theory are found, and analyzed and summarized. It not only focuses on the ideological connotation of the brushwork of "Spring and Autumn", but also explores the integration of the brushwork of "Spring and Autumn" and Chinese literary theory, seeks the basic laws on which Chinese culture and literary theory are formed and developed from cultural exploration, and reveals its universality in modern and contemporary literature and art.（AI翻译）

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