20世纪90年代以来，随着互联网时代的到来、消费社会的兴起、科学技术的飞速发展和文化研究思维的盛行，当代中国文学批评面临着新的时代机遇和挑战。本书主要立足当代中国社会语境，从政治文化生态的理论视角切入，系统考察20世纪90年代以来的中国文学批评。主要观点如下：当代中国的文学创作呈现出主旋律文学、精英文学和大众文学“三分天下”的局面；文学批评类型中，“自发的批评”以“自媒体批评”的形式正勃然兴起，“职业的批评”和“大师的批评”也呈现出新的时代特色；文学批评精神呈现出判断与创造、坚守与锤炼、平民与世俗等时代特点；文学批评生产体制发生重大变革，网络平台的重要性日益凸显。此外，文化批评的出现也改变了文学批评的生态体系。

Since the 1990s, with the advent of the Internet era, the rise of consumer society, the rapid development of science and technology and the prevalence of cultural research thinking, contemporary Chinese literary criticism is facing new opportunities and challenges. Based on the contemporary Chinese social context and from the perspective of political and cultural ecology, this book systematically investigates the Chinese literary criticism since the 1990s. The main points are as follows: the literary creation of contemporary China presents the situation that the mainstream literature, elite literature and popular literature "divide the world into three parts"; Among literary criticism types, "spontaneous criticism" is emerging in the form of "we media criticism". "professional criticism" and "master criticism" also present new features of the era. The spirit of literary criticism shows the characteristics of times, such as judgment and creation, persistence and tempering, common people and secular society. The production system of literary criticism has undergone significant changes and the importance of network platform has become increasingly prominent. In addition, the emergence of cultural criticism has also changed the ecological system of literary criticism.

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