本书将中国电影置于全球化和中国近现代以来不断变动的社会语境中，回到中国现代化进程的历史现场，将中国社会变迁的历时性维度内置为一种有效的理论视角，在考察和追索世界电影中青少年形象历史嬗变之基础上，以文化考古学方法探讨中国电影中青少年形象及其发展演变，在与西方电影横向比较的理论视野中，考察青少年文化在中国场景中发生发展的历史过程，追问造成青少年问题的文化和历史根源，最终反思西方启蒙价值和现代性的社会方案。因此，本书立足于当代中国现实，以类型学的谱系研究代替形态学的现象描述，以中国电影作为主要研究对象和分析文本，探究中国电影中青少年形象的发展演变及其文化谱系，阐释我国当下青少年文化的文化价值和历史意义，力图补正国内对青少年文化的盲视与误认，指出青少年文化是中国社会深刻转型的过程中的一种积极的建构性力量，是弥足珍贵的文化资源和社会财富。

This book places Chinese films in the changing social context of globalization and China's modern times, returns to the historical scene of China's modernization process, builds the diachronic dimension of China's social changes into an effective theoretical perspective, explores the image of teenagers in Chinese films and their development and evolution by cultural archaeology on the basis of investigating and tracing the historical transmutation of youth images in world cinema, and examines the historical process of the development of youth culture in Chinese scenes from the theoretical perspective of horizontal comparison with Western films. Questioning the cultural and historical roots of adolescent problems, and ultimately reflecting on Western Enlightenment values and the social program of modernity. Therefore, based on the reality of contemporary China, this book replaces the morphological phenomenon description with the genealogical study of typology, takes Chinese films as the main research object and analysis text, explores the development and evolution of the image of adolescents in Chinese films and their cultural genealogy, explains the cultural value and historical significance of China's current youth culture, tries to correct the blind and misidentification of youth culture in China, and points out that youth culture is a positive constructive force in the process of profound transformation of Chinese society, and is a precious cultural resource and social wealth.（AI翻译）

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