本书分为“戏曲文学与创作论”“从文本到舞台”“近代戏曲嬗变研究”“京剧研究”和附录五个部分，是一部戏曲研究论文选。这些论文体现了作者将古今戏曲文学统一纳入研究视野、关注文本与舞台互动、注重史料研究的学术思路和研究方法。作者对近代戏曲史用力较多，以专题论文的方式，反映了近代戏曲史流变的众多具体细节。

the book is divided into five parts: "drama literature and creation theory", "from text to stage", "modern drama evolution research", "Beijing Opera research" and the appendix, which is an essay selection of drama research. These papers reflect the author's academic thinking and research method of integrating ancient and modern drama literature into the research field of vision, paying attention to the interaction between text and stage, and paying attention to historical data research. The author paid much attention to the history of modern opera, and reflected many details of the evolution of modern opera history in the form of monographs. < / p >

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