本书从审美文化视野与当代批评实践的角度对20世纪80年代以来的中国当代美学的话语转型问题作出系统研究与反思，研究内容涉及审美文化研究、“文化研究”热、后现代主义与消费文化、反本质主义与日常生活审美化、中国古代文论的现代转换以及马克思主义批评的理论重建等中国当代美学理论发展中的重要问题，具有鲜明的问题意识和批判精神。本书坚持史论结合，以点带面，理论分析和学理建构并重，认真辨析了近40年来中国当代美学的理论嬗变和话语转型问题，并深入阐发中国当代美学研究中理论与实践的融合问题。在研究中，既探讨“怎么来的”“说了什么”，又着眼于当代美学具体批评实践方面的回应，是对中国当代美学话语转型的一次全面的探讨与研究。

From the perspective of aesthetic culture and contemporary critical practice, this book systematically studies and reflects on the discourse transformation of contemporary Chinese aesthetics since the 80s of the 20th century, and the research content involves aesthetic culture research, "cultural studies" fever, postmodernism and consumer culture, anti-essentialism and the aestheticization of daily life, modern transformation of ancient Chinese literary theory, and theoretical reconstruction of Marxist criticism, and other important issues in the development of contemporary Chinese aesthetic theory, with a distinct sense of problem and critical spirit. This book adheres to the combination of history and theory, pays equal attention to theoretical analysis and academic construction, carefully analyzes the theoretical transmutation and discourse transformation of contemporary Chinese aesthetics in the past 40 years, and deeply expounds the integration of theory and practice in the study of contemporary Chinese aesthetics. In the study, it not only discusses "how it came about" and "what is said", but also focuses on the response to the specific critical practice of contemporary aesthetics, which is a comprehensive discussion and research on the transformation of contemporary aesthetic discourse in China.（AI翻译）

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