本书将中国第五代和第六代电影看作是前后递延的先锋电影新浪潮来认识，据此形成了中国电影新浪潮的基本概念：中国电影新浪潮系指“文化大革命”结束之后，出现在中国大陆的一种前驱的艺术电影创作倾向，其以第五代、第六代电影为主体，是在现代性思潮影响下，以反抗旧的电影模式为行动策略、创造新的电影思维为价值旨归，并最终改变了中国电影的整体面貌的电影创新运动。

This book recognizes the fifth and sixth generation of Chinese films as a deferred new wave of avant-garde films, according to which the basic concept of the new wave of Chinese films is formed: the new wave of Chinese films refers to a precursor art film creation tendency that appeared in the Chinese mainland after the end of the "Cultural Revolution", which takes the fifth and sixth generation films as the main body, and is under the influence of the trend of modernity, with rebellion against the old film model as an action strategy and the creation of new film thinking as the value purpose. and finally changed the overall face of Chinese cinema in the film innovation movement.（AI翻译）

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