本书从叙事学领域来系统研究现代中国小说近百年的艺术创新，提出痴狂叙事这一概念，归纳出叙述痴狂者、狂者叙事、狂欢化叙事等三种痴狂叙事模式。作为一种独特的叙事艺术，痴狂叙事始终随着现代中国小说的发生和发展，它实现了现代中国小说从内容到形式两个层面的变革，改变了传统中国小说艺术形象设置层面的简单化和机械化现象，也改变了情节构筑层面的单线或直线的叙事模式。这一叙事模式的出现是对以理性见长的常规写作方式的冲击和颠覆，其深层的叙事预期是以叙事方式的变革达到反道统、反常规的目的。痴狂叙事是现代中国文人面対一个多世纪以来社会现实的深刻变革和中外文学的深度交流做出的主动性选择，折射出现代中国知识分子追求独立和创新的勇气和理念。

This book systematically studies the artistic innovation of modern Chinese novels in the past hundred years from the field of narratology, puts forward the concept of crazy narrative, and summarizes three crazy narrative modes: narration of madness, madman narrative, and carnivalized narrative. As a unique narrative art, obsessive narrative has always accompanied the occurrence and development of modern Chinese novels, which has realized the transformation of modern Chinese novels from the two levels of content to form, changed the simplification and mechanization of traditional Chinese novel art image setting, and changed the single-line or straight-line narrative mode at the plot construction level. The emergence of this narrative mode is an impact and subversion of the conventional writing method known for its rationality, and its deep narrative expectation is to achieve the purpose of anti-Taoism and unconventional through the transformation of narrative mode. Crazy narrative is an active choice made by modern Chinese literati in the face of the profound changes in social reality and the in-depth exchange of Chinese and foreign literature for more than a century, reflecting the courage and concept of modern Chinese intellectuals to pursue independence and innovation.（AI翻译）

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