《中国美术与现代主义》系《“东方主义”与现代主义》的续篇。钱兆明在《“东方主义”与现代主义》中提出了东方文化为西方现代主义构成元素之一的理论，用大量文献资料论证了美国诗人埃兹拉·庞德和威廉·卡洛斯·威廉斯如何从英译汉诗中汲取营养，实现现代派诗歌的新突破。《中国美术与现代主义》则以庞德、玛丽安·摩尔和华莱士·史蒂文斯等美国诗人对商周青铜器、唐宋水墨画、明清瓷器、书法的青睐为突破口，进而考察了中国美术与西方现代派诗歌的渊源关系。

"Chinese Art and Modernism" is a sequel to "Orientalism" and Modernism. In "Orientalism" and Modernism, Qian Zhaoming put forward the theory that Eastern culture is one of the constituent elements of Western modernism, and used a large number of documents to demonstrate how the American poets Ezra Pound and William Carlos Williams drew nourishment from English to Chinese poetry and achieved a new breakthrough in modernist poetry. "Chinese Art and Modernism" takes the favor of American poets such as Pound, Marianne Moore and Wallace Stevens for Shang and Zhou bronzes, Tang and Song ink paintings, Ming and Qing dynasty porcelain, and calligraphy as a breakthrough, and then examines the relationship between Chinese art and Western modernist poetry.（AI翻译）

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