本书是《通变之途：新世纪以来的中国电影产业》（中国社会科学出版社2019年）的姊妹篇，与作者的《世纪转折时期的中国影视文化》（北京出版社1998年出版，2015年再版）和《跨越百年：全球化背景下的中国电影》（清华大学出版社2007年）构成了相互关联的“三部曲”，共同成为1990年代到2020年代中国电影30年发展过程完整的备忘、评价、阐释和思考。

本书以中国政治经济社会变迁为大背景，以时间为线索，通过对代表性作品、创作者和主题类型的年度分析，系统梳理了新世纪以来中国电影创作的演变历程。本书力图呈现新世纪不断变化的中国电影与世界电影的关系、中国电影与时代社会的关系、中国电影与观众的关系、中国电影的美学系统、中国电影的创作集体构成、中国电影的传播力和影响力，以及中国电影的文化取向和类型特征，并深入探讨了这些改变的动力、过程、逻辑、效果。

This book is a companion to The Road to Change: China's Film Industry in the New Century (China Social Sciences Press, 2019), and together with the author's Chinese Film and Television Culture at the Turn of the Century (published by Beijing Publishing House in 1998 and reprinted in 2015) and Across a Century: Chinese Cinema in the Context of Globalization (Tsinghua University Press, 2007), they constitute an interrelated "trilogy", which together become a complete memorandum on the 30-year development process of Chinese cinema from the 1990s to the 2020s. Evaluate, interpret and think. Taking China's political, economic and social changes as the background, this book systematically sorts out the evolution of Chinese film creation since the new century through the annual analysis of representative works, creators and theme types. This book attempts to present the ever-changing relationship between Chinese films and world cinema, the relationship between Chinese films and the society of the times, the relationship between Chinese films and the audience, the aesthetic system of Chinese films, the collective composition of Chinese films, the dissemination and influence of Chinese films, and the cultural orientation and genre characteristics of Chinese films, and deeply explores the dynamics, process, logic and effects of these changes.（AI翻译）

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