图书简介
本卷论述乾隆一朝诗学的流变,以诗坛对王渔洋神韵诗学的反拨与对叶燮诗学的接受为逻辑起点,按时序展开六十年间诗学思潮的更替和消长,依次论述了沈德潜新格调诗学、纪晓岚试帖诗学、袁枚性灵诗学、翁方纲学人诗学、桐城派诗学和高密派诗学的基本观念、理论创新、批评成就及其交互影响,在学问·性情的冲突、融合主题下辨认其主张的异同及对后来诗学的影响。全书秉持“进入过程”的学术理念,力求在历时性的观照中展开各派诗学的内部差异,使乾隆朝的诗学史在呈现其空前丰富性的同时,更显出清晰的脉络和整体格局。总之,无论是对乾隆诗学的总体认知,还是对各家诗学的具体阐释和评价,本卷都提出了不同于学界定论的全新论断。
This volume discusses the evolution of the poetics of the Qianlong dynasty, taking the poetry's backlash to Wang Yuyang's Shenyun poetics and the acceptance of Ye Xie's poetics as the logical starting point, and unfolds the changes and fluctuations of poetic thought in the past 60 years in chronological order, and discusses in turn the basic concepts, theoretical innovations, critical achievements and their interaction with Shen Deqian's new style poetics, Ji Xiaolan's trial post poetics, Yuan Zhiling's poetics, Weng Fanggang's poetics, Tongcheng school poetics and Gaomi school poetics, and identifies the similarities and differences of his ideas and their influence on later poetics under the theme of academic and temperament conflicts and integration. Adhering to the academic concept of "entering the process", the book strives to unfold the internal differences of various schools of poetics in the diachronic observation, so that the poetic history of the Qianlong Dynasty not only presents its unprecedented richness, but also shows a clear context and overall pattern. In short, whether it is the overall understanding of Qianlong's poetics or the specific interpretation and evaluation of each poetics, this volume puts forward a new thesis different from the academic definition.(AI翻译)
作者简介
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