中国画造型与《易》象同体，与造化同根，其出发点在“道”而不在“器”；生、气、时、变，既是易学的要旨，又为笔墨之要义。中国画讲究的“神、意、象、感、观、位”等问题，都滥筋于《周易》对天地、宇宙、生命、万物规律的哲学阐释。国画源于国学，易学作为国学核心，是中国画传承与创新的原动力，对厘清中国画本体语言、指导中国画品评标准、影响中国画创作走向，都有着重要意义。

The Chinese painting shape is the same as "Yi", the same root as creation, and its starting point is in the "Tao" rather than in the "instrument"; Anger, anger, time and change are not only the essence of easy learning, but also the essence of pen and ink. The issues of "God, image, image, sense, view, and position" that Chinese painting pays attention to are all indiscriminately attached to the philosophical interpretation of the laws of heaven and earth, the universe, life, and all things in Zhou Yi. As the core of Chinese painting, Yi Xue is the driving force for the inheritance and innovation of Chinese painting, which is of great significance for clarifying the ontology language of Chinese painting, guiding the evaluation standards of Chinese painting, and influencing the trend of Chinese painting.（AI翻译）