简介： 满族说部的传承模式发生了重要转变，从传承方式、传承人的身份，传承语言和讲述形式上，再到传承范围都发生了明显的变化。探索满族说部在当代的传承方式，首先要尽量恢复满语的讲唱环境。其次，开拓满族说部新的传播空间。除坚持动态保护、静态传承、静态与动态共同发展、共同促进的原则外，还要将满族说部纳入民俗。讲唱说部时，常常选在比较隆重的场合，尤其是在祭礼、庆功、寿诞、氏族会盟等家族里要的节日中，氏族成员按辈分围坐、聆听。昔日讲唱说部的场合，通常被称为“民俗场”。民间口传文学的传承不能离开民俗场，而传承人的培育也最好在这个场域进行。如今，随着时代的发展，说部早已失去了当初的讲唱环境，在要的节日讲唱说部已经不太可能。可是，作为非物质文化遗产保护与传承的一个事象，说部传承人在重要节日，对家族中的年轻人还是会有针对性地进行培养。此外，本书还探索了传播媒介多样化选择的传承方式，例如电视、电影、动漫等。

简介： Magical realism，on the one hand，as one of thoughts and genres of cosmopolitan literature which had traveled from Europe to Latin-American and Asia （mainly China），which has closest relation on the negation which disavowed social life and life form and literature genre of Capitalism in Europe and between Latin-American and Asia，on the other hand，as one of literature styles of culture of nation and geography，which mainly runs on the fusion and development of nation culture shapes of geography and life forms and literature styles in Latin-American and Asia （mainly Chia）.In the development process of magical realism，Mo-yan who as writer of China and Márquez who come from Columbia are indubitable the special richest and representative writer of Magical realism.The comparative research which involves works of Magical realism of Mo-yan and Márquez，one side，has inevitable meaning of theory which mainly deal with carding of the literature history and identifying the literature charaster of Magical realism，the other side，also has meaning of sociology of literature which refer culture fusion and life form of nation geographical.The relationship between two literature geography which come from Mo-yan and Márquez is very complicated and subtle.A good many disquisitive articles which about correlative novels between them have come forth，but only a few articles which discussed about the correlative relation of literature's geography，and which was mainly covered with flag of magic realism，such research of effect which concerned about few composition and have no taken the whole view. The research in this book will be based on it. By the study method which mainly includes close reading and parallel comparison，and by the supplement of ordering of literature and perspective of theory，this book mainly covers river novels which come forms Mo-yan and Márquez，and many short story crucial will be analyzed correctly in the moment of truth.This book which tries to do more understanding as well as deeper one on the topic which deals with similarities and differences of literature fields of Mo-yan and Márquez than before，this book will analysis magical narrative style which is based on idendifying of concerpts，disconstruction of Other，dialogizing of greographical literature，primordial thinking，religious implicaton，metamorphic mind，confiding of vital，literature resource and so on.So，this book will be display by nine sections.Chapter first：preface.To clarify crucial foundation investigated of relative topic，and to summarize the chance，meaning and investigating methods of this selection，and to make out the doctrinal foundation of this comparative paper which will be based on the summarizing of correlative literature.Chapter second：introduction.This section try to present vicissitude of the conception of Magic realism which had come from Latin America and taken root in China，and to analyze compactly mutual relation which lies in associated literature of Mo-yan and Márquez，the material comparative investigation of later chapters which will be anchored in this schools of literature.Chapter third：life fable and deconstruction of other.The thoughts of deconstruction is one crucial step of being-self and identifying-self and developing-self which involved culture of nation geographical and forms of punchy life and literature manner. The meaning of deconstruction which means concisely innovation、rewriting and rebelling which concerns about writer's gesture against outer circumstances、aesthetics standpoint them-self and literature writing before，etc.Firstly，to analyze the different attitude which comes from Mo-yan and Márquez，which concerns about deconstructing against narrative strategy of Holy Bible of Western cultural world. Secondly，between two relative literature worlds，by the method of comparison，to analyze and to induce，the difference and the homology which concern about rebelling system of literature narrative dialogue themselves in novels，deviation from sheer estheticism in literature，etc.Finaly，to elucidate the gesture which concerns about their points of deconstruction against Darwinism's view of historical evolution who adopted the idea of straight lined developing history，and the homology of their position，strategy，soluble plans of deconstruction，as well as the discrepant one.Chapter fourth：cultural dialogues and narrative geographical. Growing up of cultural （literature），must meet multi-dimesional dialogue of culture （literature） of nation geographical，so，the significance of contracting and fusing of the culture geographfical must be visualized in magical realism literature of Mo-yan and Márquez.First，to analyze and induce the difference and similar which concern about narrative style and perspective of examination，by comparison of dialogue which lies in between race and hegemony，individual life and collective war，etc.Second，by the faces which concern about the text's narrative strategy and the meaning of image，to analyze similarities and differences of the narrative of culture dialogue between oriental and east in their novels. Lastly，by the dialogue between town and country in their novels，to analysis difference and homology of the faces which concern about the images，dialogue and communication，etc.Chapter fifth：primordial thinking and magic narration. Primitive thought，as a toting thinking form of human，which primitive character become internal logic foundation and superficial presentation of texts which represents and thinks over culture of colonial social and modern rational hegemony.To analyze deeply and comparatively contents and text of fingers and plots and space-time of magic realism novels of Mo-yan and Márquez which are all magic and special，by using thinking's structure of the law of permeability which is indicated by original thinking which is belong to “Lucien Lévy-Bruhl”，who is a anthropologist of France.Chapter sixth：religious connotation and magical narration. Religion，as an important constitutive section of life world and aesthetic views，which impacts text's stamp of magical realism literature of Mo-yan and Márquez.First，to investigate the special feature of magic space which includes dancing jointly of God，ghost and goblins and human races，and bestial world and wasteland which lie in the texts of magic realism's novels of Mo-yan and Márquez.Second，to analyze the style of magic plots of Mo-yan's novels as well as Márquez's one which concern about transformations and metamorphoses，flying into the Heaven，metempsychosis and transmigrations that are not consistent with logic of science.Third，to induct the Religion's views from the magical realism novel of Mo-yan and Márquez which concern about the idea of living and death as well as of counterattacking point of view that indicates that wine-women-wealth are more important than anything in this world. Moreover，the meaning of creating of religion's connotation will be emerged in magical realism novels.Chapter seventh：metamorphic mind and magic narration.In the social of colonialism and post-industry，the being and developing of human have and will meet many handicaps，so，many phenomena of metamorphic mind have to egerge.That phenomenon is also an important section of literature style of magical realism.By the methods comparative，researcher plans to analyze the connotation of magic realism's novels of Mo-yan and Márquez which mainly runs on abnormal psychology's conceptions. First，to study text's images of hunger and solitude which express so many times and abnormal in the novels which are related to childhood's experience of writers. Second，to analyze images，sequences and system of odd persons who have unusual speeches and actions both indicate abnormal psychology. Final，by the methods of comparative，to point out magic text's style that was made of by using of narrators，who have abnormal psychology in the relative novels.Chapter eighth：vital confiding and magic narration. Life forms of folkman and strongerman，is a internal foundation of rising up of world and opening of narrative style in literature of Mo-yan and Márquez.To appear live dramatic features of navels' texts of Mo-yan and Márquez，by the method of closing reading，which mainly based on the three sections：animal self-reflection of execution' story，vital confiding of civilian women and depiction of affection，and so on，and to appear art's superficial presentation and sociological connotation of cultural life forms in history of Mo-yan's novels as well as Márquez's one.Chapter ninth：literature resource and magic narration.By the faces which contain the rheology of literature history and idea history of literatury，and selecting of aesthetic style etc.a diversity and globalism of magical realism literature which come from Mo-yan's literature and Márquez's one will be opened out.Chapter tenth：the epilogue. First，to set forth preditions and stamps of cosmopolitan and regionality of magical realism of Mo-yan's novels as well as Márquez's one.Second，to summarize central contents investigated，and gain and loss of methods.Final，to indicate contributions and meaning of this book in correlative topics.and to insist that the theory of Mo-yan and Márquez which has no ending is a treasure of art in history of contemporary literature as well as international one.Although many correlative researchs about magical realism in literature field have been built up，but up to now never adequately.Key-words：Mo-yan，Márquez，magic world，vital depiction

简介： 本书是甘肃省财政厅高等学校基本科研业务费项目《基于汉－英平行语料的自译小说叙事结构对比研究》和甘肃省教育科学“十二五”重点课题《甘肃高校文化自译课程的超学科构建研究》（GS[2013]GHBZ089）的成果。霍尔姆斯（James Holmes）在其翻译研究的路线图中,将纯理论研究划分为“普通”（general）和“局部”（partial）两个领域。其中“局部”又细分为基于媒介（medium）、领域（area）、翻译层次（rank）、文本类型（text－type）、时间和问题的翻译研究。其实,同样作为跨文化交流活动,翻译的变体形式诸如自译、伪译、口授笔译、作者－译者合作翻译等,也应是“局部”翻译研究的范畴。自译指作者翻译自己作品的行为,或该行为的结果即自译文本。作为一种特殊的翻译活动,自译和普通意义的翻译可以互为参照,自译研究有助于深入认识翻译本质及其过程,也能为自译作为一种教学方法,在对外汉语教学和翻译教学中的应用提供理论指导；同时,基于平行语料的自译双语小说描写,是重构自译伦理规范,构建英、汉比较叙事学、比较诗学理论的重要途径,更是探究中国文学在世界文学多元系统中寻求文化认同的手段。

简介： AbstractAfter having been introduced into China，classical German aesthetics has influenced the germination and development of modern Chinese literary theory greatly. It is an important literary phenomenon，but the monographic studies on it given by internal scholars are far more enough. This dissertation，based on the historical facts，explores and discriminates the deep relations between modern Chinese literary theory and classical German aesthetics from 1904 to 1949. In this dissertation，the relations between the two are analysed so fully and deeply that not only the dominant and recessive influences given by classical German aesthetics to modern Chinese literary theory are revealed，but also the new features of modern Chinese literary theory presented with its producing and developing are uncovered.Chapter One mainly studies the spread of classical German aesthetics in modern China. In this chapter，the spiritual meeting and harmonizing between modern Chinese literary theory and classical German aesthetics，and the new factors that modern Chinese literary theory presented，are analysed in whole.Chapter Two mainly discusses the theory of literary concept. The relations between modern Chinese literary theory and classical German aesthetics are elaborated in three aspects：the essence of literature，the value of literature and the birth of literature. Modern Chinese scholars’ comprehensions on literary aesthetic essence and cognitive essence，their definitions of the aesthetic value and the cognitive value of literature，and their theoretic interpretation that literature had its origin in games，are clarified. Modern Chinese scholars’ pioneering studies in these aspects have made up of the symbol content of modern transformation of literary concept.Chapter Three mainly discusses the theory of literary creation. In this chapter，modern Chinese scholars’ analyses of the subject and the object of literary creation，and the modes of writing，are analysed，and the inner relation between these analyses above and classical German aesthetics is discussed. Then it is indicated that these analyses added new theoretic factors to modern literary theory.Chapter Four mainly discusses the theory of literary works. In this chapter，modern scholars’ unique reforms in literary forms and genres，which are enlightened by classical German aesthetics，are analysed. In the field of literary forms，they annotated and established two poetic categories：Artistic Conception and Model. In the field of literary genres，they discussed creatively the basic characteristics of poetry and novels.Chapter Five mainly discusses the theory of literary criticism. In this chapter，according to classical German aesthetics，chinese modern scholars’ exploration of the theory of criticism，the method of criticism and textual criticism are arranged. These modern scholars are regarded to have got effective theoretic exploration of literary criticism and laid a solid foundation for the modern development of literary theory. Pioneers’ successful experiences are summarized，to provide valuable food for contemporary scholars who are in the era without literary theory.Key words：modern Chinese literary theory；classical German aesthetics；theory of literary concept；theory of literature creation；theory of literary works；critical theory

简介： 本书从翻译选本视角考察了英语世界对中国现当代文学的接受，勾勒出了这场持续八十余年的编译活动在篇目选择、文本阐释、编者构成等方面的演变轨迹，揭示了英译选集对中国现当代文学形象和经典序列的重构，分析了世界文学选集对中国现当代文学版图的绘制。

简介： 中国当代小说作为中国文学的重要表现形式，已成为我国文学在美国译介数试最多、受众面最广的文学载体。本书运用译介学和接受学相关理论对我国当代小说在美国的译介和接受过程进行梳理，以此分析美国读者和研究者对中国当代文学乃至文化的态度、误读及其原因，从中折射出符合译入语语言文化要求的译介规律，为研究中国当代文学海外传播提供理论和实证分析，同时也为全球化时代中国文学走向世界，树立中华文化自信，增强中国文学的国际影响力，提供学术和应用双层面的借鉴。

简介： 以戴望舒、卞之琳、何其芳等人为代表的中国“现代派”是白话诗史上一个重要的诗歌流派，随着国内外交流的日益增加，海外学者关于中国“现代派”诗人的研究也不断深入，成果日益丰硕。为了借鉴国外对中国“现代派”诗人的研究成果，促进国内外学术界的相互交流，对中国“现代派”诗人在国外的接受进行总结就显得更为迫切。本书的目的即是站在跨越异质文明的角度，对英语世界关于中国“现代派”诗人的研究成果进行梳理总结，希望能够促进中外学界的交流与对话。

简介： 本书围绕社会主义和谐社会建设中的热点问题进行调查研究，借助近几年“和谐”理论研究的新成果，来有针对性的解决我们社会主义文化与文学建设中的一些实际问题，引导我们国家的文化、文学朝着健康有序的方向发展，为构建社会主义的核心价值体系提供智慧资源和强有力的思想支撑。