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中国古代书法艺术史

作者: 张志和
出版日期:2015-09-01
浏览次数:3929次
简介: 自民国以来,书法史著已经出版不少,甚至不乏大部头的著作。但本书有自己的特点:一、本书作者是一位长期从事书法研究, 并在书法艺术上颇有造诣的学者型书法家,所以,本书做到了理论与实践相结合、学识与艺术相结合,这与不从事书法实践的纯学者谈书法史是大不相同的。二、本书作者长期受教于启功先生,故本书也贯穿了启功先生对于书法艺术的真知灼见。三、作者具有在故宫博物院从事书法文献研究的独特优势,本书不仅搜集了大量的文献资料,也收集了大量图片资料,图片丰富,便于读者直观了解书法艺术发展脉络。四、以往的书法史,在“史”的叙述上多有缺憾,相对于东晋的十六国时期、辽代和金代的书法介绍多付阙如,本书作者对此作了深刻挖掘,尽量做到叙述完整。五、以往的书法史,大多只作“史” 的介绍,本书则对汉代以后各个历史时期的书法理论辟专章介绍,使读者便于了解书法观念、时代风气与书法创作之间的关系。六、本书学术性与知识性并重,力求对书法爱好者学习和理解书法艺术有所助益,并为书法史研究者提供新内容和新观点,是高校书法教学以及相关专业师生的重要参考书。
关键词: 汉字  书法史  中国  古代  

中国美术与现代主义:庞德、摩尔、史蒂文斯研究

出版日期:2020-09-01
浏览次数:25次
简介: 《中国美术与现代主义》系《“东方主义”与现代主义》的续篇。钱兆明在《“东方主义”与现代主义》中提出了东方文化为西方现代主义构成元素之一的理论,用大量文献资料论证了美国诗人埃兹拉·庞德和威廉·卡洛斯·威廉斯如何从英译汉诗中汲取营养,实现现代派诗歌的新突破。《中国美术与现代主义》则以庞德、玛丽安·摩尔和华莱士·史蒂文斯等美国诗人对商周青铜器、唐宋水墨画、明清瓷器、书法的青睐为突破口,进而考察了中国美术与西方现代派诗歌的渊源关系。
关键词: 中国画  绘画研究  中国  古代  诗歌研究  

工笔人物画的意象性流变研究

作者: 张惠
出版日期:2020-09-01
浏览次数:13次
简介: 本书在研究传统工笔人物画的基础上,力图从其技法、语言、题材和表现形式等各方面,挖掘其意向性的表现流变形式及内在规律。从而更加深入地展现出工笔人物画的发展脉络,并对风格愈发多样化发展的现代工笔人物画,提供理论和文字的考证和依据。
关键词: 工笔画  人物画  国画技法  

吴中海岳:祝允明人生与书学考论

作者: 朱圭铭
出版日期:2020-08-01
浏览次数:58次
简介: 本书以明代中期代表书家祝允明为研究对象,结合地域环境、时代背景、历史评价等诸多因素,对祝允明的家世、生平事迹、主要交游、书学思想、书艺风格、传承影响和历史评价等问题进行了综合深入的研究,在一定程度上弥补了目前学界对祝允明研究的不足,进一步明确了祝允明对书学的具体贡献及其在书史上的地位。

中国文人画与禅宗思想关系性研究——从明末清初到民国的脉络梳理

作者: 杨江波
出版日期:2020-07-01
浏览次数:91次
简介: 禅宗由印度禅演化为中国禅,是一个外域文化本土化的过程。由于中国文人士大夫具有“追道”这一文化身份特征,伴随着魏晋审美自觉,禅宗的审美境界也深深影响到这一群体。文人画的始祖王维即是生活在禅宗成熟兴盛的唐代。文人对于生命的感发感悟,随着笔墨这一载体用诗化的形式加以彰显,并由此而特立于世界艺术之林。晚明以降,随着西方地理大发现,全球化进程开始。在这一时间段,中国文人画的进程产生了三次高潮,其中有两次是发生在易代之时,政治上的动荡反而把文化推向了一个高度。但是,文人画在明清达到高峰之后,随着西方文化的强势介入和文人画末流所产生的弊端,它的衰落也是必然的。它的兴起衰落和禅宗思想文化的演变关系又是怎样?文人画衰落后,其作为核心审美思想的禅宗又是怎样存续的?中国文化演进历史漫长,期间禅宗文化在唐宋达到高潮,但随后逐渐衰落,理学和心学兴起,三教合一也使得禅宗在作为独立教派方面衰落下来,但是禅宗精神却由于其圆融清净的审美高度而融入了中国文化的方方方面。这种暗流潜藏的存续途径有以下几条:(1)儒禅的演化与影响;(2)潘天寿对于传统教学的坚持;(3)近代留学生在日本所受的影响;(4)画僧体系的禅意留存。禅宗思想在这些途径的存续使得它在后期发展的兴起也成为必然。当下全球经济一体化,西方工业革命在把物质文明带给东方的同时也把其弊端抛了过来,不但在工业上,在文化上它们也面临着自身不能克服的瓶颈。铃木大拙和铃木俊隆两位日本禅者在欧美结合西方文化来传播禅宗思想产生了很好的影响,后现代主义应运而生。后现代主义虽然对禅法的理解是西式的,并不完全符合禅宗的本意,但西方借助禅宗理念涅磐重生的决心是可以感受得到的。在这个信息交流极为畅通的互联网时代,东西方文化在矛盾对抗中而逐渐互鉴交融,这种交融并不是两大审美体系特征的泯灭,而是长短互补,即如费孝通先生所讲:各美其美,美美与共。禅宗思想注重本体感悟,是无分别的清净文化,这种“不分别”的审美状态可以在本体层面与西方文明“美美与共”,“和而不同”的多元化相处方式会产生东西方文化良性互动。西方文化对于禅宗思想亦愈来愈感兴趣,如美国著名斯坦福大学设有禅修中心,中国禅师们也越来越多地走向国外传法。作为中国画来讲,在近现代深受西方影响做了诸多探索之后,也在逐渐沉静了下来,开始在审美领域追根溯源,注重在民族审美层面的深入探索。这两年,中国美术馆举办的“黄宾虹美术大展”“潘天寿美术大展”以及故宫博物院举办的“四僧画展”都在社会上引起了很大反响,这些可以看作是传统审美重新崛起的标志性事件,禅宗思想作为传统审美重要的内核在当下研究也具有了重要的意义。关键词:禅宗,文人,存续,清净,自信AbstractThe evolution of Indian Zen Buddhism to Chinese Zen Buddhism is a process of the domestication of foreign cultures.Because of the fact that Chinese scholar-bureaucrats enjoyed the cultural identity of“following religions”,the aesthetic state of the Zen had deeply influenced the group of scholar-bureaucrats with the aesthetics of the Wei and the Jin Dynasties.The founder of the Painting of Man-of-letters,Wang Wei,lived in the Tang Dynasty when the Zen Buddhism was at its prime and prosperity.The perceptions and inspirations of men-of-letters were manifested through the form of painting,and have been since featured among the world of arts.Since the late Ming Dynasty the process of globalization began with the great geographical discovery in the West.During this period,the Chinese Painting of Man-of-letters experienced three times of climaxes among which two took place at the time of the change of dynasties when the political upheavals pushed culture to the height.However,with the aggressive entry of Western cultures and the disadvantages caused by the decadent stage of the Painting of Man-of-letters,its decline was inevitable.What is the evolutionary relation between the prosperity and decline of the Painting of Man-of-letters and the Zen Buddhism philosophy and culture? How did the Zen Buddhism continue as the core aesthetic philosophy of the Painting of Man-of-letters after its decline? Chinese culture has a long history of evolution,during which the Zen Buddhism reached the climax and then declined when the Ra tionalistic Confucian Philosophy and the School of Mind went to their primes.The combination of Buddhism,Taoism and Confucianism led to the decline of the Zen Buddhism as an independent religion.However,the spirits of Zen Buddhism were immersed to the different aspects of Chinese culture because of the aesthetic level of its purity and harmony.The ways of its lurking undercurrent continuance are as follows:1.The evolution and influence of Confucian Zen Buddhism;2.Pan Tianshou' s perseverance to the traditional teaching of painting; 3.The influence experienced by the overseas Chinese students in Japan,and 4.The existence of the Zen with the Painting Monks System.The continuance of the Zen Buddhism philosophy in these ways made its prosperity in the later development inevitable.Nowadays with the economic globalization,the Western Industrial Revolution brought forth to the East not only the material civilization,but also disadvantages both in industry,and in culture where they have their own invincible bottleneck.The two Japanese Zen masters Daisetz Suzuki and Shunryu Suzuki made great contributions in spreading the philosophies of Zen philosophies by combining them with European and American cultures,where the post-modernism emerged as the times required.The post-modernism had its understanding of Zen in the western way,which is not completely in line with the philosophies of Zen Buddhism.However,the determination to be reborn by the Zen Buddhism in the West can still be felt.In this information age when the East and the West cultures exchanged and immersed with each other through conflicts,the immersion of these two is not the distinction of the features of the two different aesthetic systems.Instead,it reflects the complementation of the two,as what Mr.Fei Xiaotong described as the existence of the differences but harmonies of various beauties.The Zen Buddhism focuses on the comprehension of noumenon and therefore it is an indistinct culture of purity.This indistinct aesthetic state leads to the positive mutual effects between the Eastern and Western cultures during the process of the diversified coexistence of Zen Buddhism and Western civilization.The Western civilization has more and more interest in Zen Buddhism philosophies and more Chinese Zen masters began to spread the philosophies outside China.For example,Stanford University of the U.S.has its own Meditation Center.As far as Chinese painting is concerned,it had made many explorations under the influence of the West in modern and contemporary times,and has settled down to seek the origin in the aesthetics field and focuses on deeper explorations at the national aesthetic levels.In the past two years,the Great Art Exhibition of Huang Binhong,the Great Art Exhibition of Pan Tianshou by the National Art Museum of China,and the Art Exhibition by the Four Monks held by the Palace Museum have given rise to great influence in society,and these events can be considered as a symbol of the resurgence of traditional aesthetics,and as a result,the study of Zen Buddhism as the core of traditional aesthetics has been of great importance in current days.Key Words: ZenBuddhism,Man-of-letters,Continuance,Purity,Self-confidence
关键词: 文人画  绘画研究  中国  明清时代  禅宗  

我从诗意悟书魂:沈鹏先生研究四题

出版日期:2020-07-01
浏览次数:58次
简介: 本书以文化人格、书画评论、书法美学、诗词创作四个专题立体地描述了沈鹏先生作为学者、评论家、诗人和书法家的全貌,充分挖掘论述了沈鹏先生意境雄阔、深沉博大、潇洒自然的诗美理想,并进一步阐发了沈鹏先生从诗意悟书魂,诗书水乳交融、浑然一体、相得益彰的艺术追求。
关键词: 沈鹏  书法评论  诗词研究  

中国主题性绘画的思想政治教育育人功能研究

作者: 张亮
出版日期:2020-05-01
浏览次数:78次
简介: 本书以马克思主义文艺理论为指导,以中国主题性绘画的思想政治教育育人功能为研究核心,围绕学理性分析、结构性分析、历时性分析、共时性分析、策略性分析五个部分,通过层层深入、步步推进的逻辑思路展开论证。一方面,分析在革命、建设和改革的历史时期,中国主题性绘画发挥思想政治教育育人功能的成功经验;另一方面,针对当前现实困境与时代挑战,提出可行性路径,促进新时代中国主题性绘画思想政治教育育人功能的高效发挥。
关键词: 绘画教育  应用  思想政治教育  中国  

中俄冰雪油画创作比较研究

作者: 宋雷
出版日期:2020-05-01
浏览次数:8次
简介: 本书是对中俄冰雪题材油画创作的专属比较研究,详细论述了北方冰雪油画创作中的研究现状、表现手法、中俄冰雪油画艺术创作比较研究、俄罗斯冰雪油画发展过程解析以及黑河冰雪油画创作选题缘由及个人作品分折等,介绍了北方冰雪油画创作中特殊的地理环境及中俄冰雪文化艺术创作中的独特地域特色。通过对中俄冰雪油画创作中的表现技巧及个案的介绍与解析,力图呈现中俄地域性冰雪创作中的演变与发展,从而使读者对中俄冰雪油画创作有更深刻的解读与认识。
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